BharatSangraha

Chenab Valley & Chamba · Western Himalaya & Trans-Himalaya

The small things

  • An embroidery with no wrong sideThe Chamba rumal is worked in a double satin stitch that lays thread flat on both faces, so the finished square shows the same picture front and back. That is not decorative virtuosity — the rumal was a covering for gifts exchanged between families, laid over a tray and lifted, and it had to be presentable from whichever side anyone happened to be looking.
  • Painters drew, women stitchedThe outlines of a traditional rumal were drawn on the muslin by trained miniature painters, who also specified the colours; the embroidery was then worked by women of the court and town. The result is a Pahari painting school's compositional language surviving in silk floss, and it is why the rumal's figures look like the paintings in the museum two streets away.
  • Memorials at the water, not at the graveChamba's carved fountain slabs were set into springs and water channels rather than at cremation grounds. The dead person appears in relief with deities above, and the merit accrues to whoever drinks. It ties a memorial to a piece of working infrastructure, and there is no close parallel to it elsewhere in India.
  • A seventh-century sculptor who signed his workThe brass images at Bharmour and Chhatrari carry inscriptions naming Gugga as their maker and Meru Varman as their patron. Indian sculpture of that period is overwhelmingly anonymous; here a name, a patron and a date all survive in the same object, still in worship.
  • The fair is older than its own nameThe Minjar is dated by tradition to 935 CE, and its name comes from the tasselled flower of the maize plant that the silk minjar imitates. Maize is a New World crop and did not reach India until well after 1500. The rite is old; the name it now goes by was grafted on later.
  • Thirty metres of rope worn as a beltThe Gaddi dora is a black wool cord that can run to thirty metres, wound repeatedly around the waist over the chola. Wound tight it compresses the coat into insulation and creates a pouch across the chest deep enough to carry a newborn lamb; unwound it is a working rope on a pass. It is a single object doing four jobs, which is what a wardrobe carried on foot has to look like.
  • A valley that faces away from its own districtPangi belongs to Chamba district but is separated from it by the Sach Pass at 4,420 m, open about four months a year. For the rest of the year its practical links run to Lahaul over Udaipur and to Kishtwar down the Chenab gorge. The administrative map and the map of where people actually go are two different documents.
  • Sapphires from a landslideThe Paddar sapphire deposit above Kishtwar was exposed by a landslide around 1881 at roughly 4,000 metres, and the stones from it — deep cornflower blue, velvety rather than glassy — set the international standard that the trade still calls Kashmir blue. The workable deposit was largely exhausted within a few decades and the field is now worked only sporadically.
  • Saffron a long way from PamporeSaffron is grown on the Kishtwar plateau, at Pochhal and Mandal, several ranges away from the Pampore fields the crop is famous for. The Kishtwar plots are small, the harvest is a few quintals in a good year, and the crop is the clearest evidence that this valley's agriculture belongs to the Kashmir system rather than the Pahari one.
  • The heat is on the side of the plateA Chamba dham is deliberately mild — curd-braised, whole-spiced, almost chilli-free — and the household's chilli sits beside it in a jar of chukh. Heat is a condiment here, added at the plate by the eater, not a property of the dish decided by the cook. The Punjab plain, four hours below, does exactly the reverse.
  • A festival men do not attendThe Suhi Mata procession at Chamba is made by women and children. Men are not part of it. The fair honours a queen said to have died so that a water channel would reach the town, and the channel it is about is still the reason the ridge above Chamba has water.

Small local details of Chenab Valley & Chamba — customs, quirks and things that are not in any guidebook. (11)