Chhattisgarh Plains · Central Highlands & Forest Belt
People
| Name | Years | Field | Known for |
|---|---|---|---|
| Guru Ghasidas | 1756–1850 | Religious teacher | Born at Girodpuri; founded the Satnam panth on a nirgun teaching of one formless name, with the white jaitkhamb as its emblem. The Panthi dance, its songs and a large part of the plain's social geography descend directly from his teaching. |
| Teejan Bai | Born 1956 | Pandwani | From Ganiyari near Durg; took up the standing, acted-out Kapalik style of Pandwani at a time when women performed the seated style if they performed at all, and made it the form's public face. Awarded the Padma Vibhushan in 2019. |
| Habib Tanvir | 1923–2009 | Theatre | Born in Raipur; founded Naya Theatre and built it around Nacha performers acting in Chhattisgarhi rather than around trained urban actors. Charandas Chor (1975) is the result and remains the clearest case of an Indian village form entering the modern repertoire on its own terms. |
| Pandit Sundarlal Sharma | 1881–1940 | Poet and social reformer | Wrote Chhattisgarhi Danleela in 1898, conventionally taken as the first modern literary work in the language, and so the point at which Chhattisgarhi acquired a written literature distinct from its performed one. |
| Devdas Banjare | 1949–2001 | Panthi dance | The dancer and choreographer who took Panthi from Satnami village performance onto national and international stages without stripping out its doctrinal content. Awarded the Padma Shri. |
| Gajanan Madhav Muktibodh | 1917–1964 | Poet | Taught at Digvijay College in Rajnandgaon for the last years of his life and wrote his major long poems there, including Andhere Mein. A central figure of modern Hindi poetry, working from a small town in this plain. |
| Padumlal Punnalal Bakshi | 1894–1971 | Essayist and editor | From Khairagarh; edited the journal Saraswati and effectively established the modern Hindi essay as a form. His prose is the reason this region has a place in Hindi literary history at all. |
| Raja Chakradhar Singh | 1905–1947 | Ruler and musicologist | Ruler of Raigarh and a serious percussionist and writer on dance; his patronage produced the Raigarh Kathak gharana and treatises including Nartan Sarvaswa. The Chakradhar Samaroh at Raigarh continues in his name. |
| R. H. Richharia | 1909–1996 | Rice science | Directed rice research at Raipur and, through systematic village-by-village collection, documented on the order of nineteen thousand rice landraces from this plain — the reason its genetic diversity is a recorded fact rather than an impression. |
| Surujbai Khande | — | Bharthari singing | The best-known singer of the Bharthari epic in Chhattisgarhi, who kept the night-long sarangi-accompanied form in live performance when it had almost no other exponents. |
| Narendra Dev Verma | — | Poet | Wrote Arpa Pairi ke Dhar, the song that names the plain's rivers in order and is now the official state song — the one modern Chhattisgarhi composition most people can sing from memory. |
People from Chhattisgarh Plains who shaped its history, arts, science, sport and public life. (11)