इस क्षेत्र का अनुवाद अभी इस भाषा में नहीं हुआ है, इसलिए यह अंग्रेज़ी में दिखाया जा रहा है।
Utkal · Eastern Coastal Plains
लोग
| नाम | वर्ष | क्षेत्र | किसलिए मशहूर |
|---|---|---|---|
| Jayadeva | Twelfth century | Poet | Wrote the Gita Govinda in Sanskrit, traditionally at Kenduli Sasan in the Prachi valley. It became liturgy at Puri, repertoire for the maharis, woven text on Khandua silk and, later, the core of Odissi's abhinaya — one poem operating simultaneously as scripture, textile and dance. |
| Sarala Das | Fifteenth century | Poet | Composed the Odia Mahabharata — not a translation but a retelling, in Odia, by a man who described himself as unlettered. It is the founding work of Odia literature and the point at which the vernacular took over from Sanskrit here. |
| Jagannatha Das | c. 1490–1550 | Poet | One of the Panchasakha; his Odia Bhagabata became the book kept in the village bhagabata tungi and read aloud in the evening, which made it the most widely heard text in the region for four centuries. |
| Madhusudan Das | 1848–1934 | Law, public life and crafts | Cuttack lawyer who set up the Utkal Tannery and worked to put Odisha's filigree and leather crafts on a commercial footing, and who argued the case for the Odia-speaking tracts being administered together. |
| Fakir Mohan Senapati | 1843–1918 | Literature | Founded modern Odia prose. His novel Chha Mana Atha Guntha, on the taking of a widow's land, is among the earliest Indian novels to make land and rent its actual subject rather than its background. |
| Gopabandhu Das | 1877–1928 | Education and public life | Established the open-air school at Satyabadi near Sakhigopal, where teaching was done under mango trees on a curriculum of Odia, Sanskrit and manual work — an institution that produced a generation of the region's writers and public figures. |
| Subhas Chandra Bose | 1897–1945 | Politics | Born and schooled at Cuttack, where the family house on Oriya Bazar is now a museum. |
| Pankaj Charan Das | 1925–2003 | Odissi | Came from a mahari family and carried the temple dancers' repertoire directly into the reconstructed form, which is why his line of Odissi is the one closest to the ritual practice. |
| Kelucharan Mohapatra | 1926–2004 | Odissi | Born at Raghurajpur; a pattachitra painter and mardala player before he was a dancer, and the choreographer who did most to give the reconstructed form its stage grammar. |
| Sanjukta Panigrahi | 1944–1997 | Odissi | The first dancer to perform Odissi internationally at scale and the performer through whom the form was accepted as classical outside the region. |
| Raghunath Mohapatra | 1943–2020 | Stone sculpture | Worked in the Konark carving tradition on temple restoration and new commissions, and was awarded the Padma Vibhushan — the clearest demonstration that the craft at Konark is a continuing practice. |
| Sashimani Devi | d. 2015 | Mahari | The last surviving mahari of the Jagannath temple. Her death closed the institution from which a substantial part of Odissi's expressive vocabulary was recovered. |
Utkal के वे लोग जिन्होंने यहाँ के इतिहास, कला, विज्ञान, खेल और सार्वजनिक जीवन को गढ़ा। (12)