इस क्षेत्र का अनुवाद अभी इस भाषा में नहीं हुआ है, इसलिए यह अंग्रेज़ी में दिखाया जा रहा है।
Telangana · Deccan Inland Plateau
Gauri, the tank, the flowers, and a married woman's account of her natal and marital households. The refrain uyyalo carries the beat and lets an untrained circle join a song it has never heard.
कब गाया जाता है: The nine nights of Bathukamma. Sung only by women, only outdoors, and only around a built flower stack.
The lives and quarrels of the shepherd deities, narrated over a full night by their own hereditary priests.
कब गाया जाता है: Jataras of Mallanna, Beerappa and Yellamma.
A war fought over grazing rights between a cattle chief and a king — a pastoral epic with a land dispute at its centre.
कब गाया जाता है: Cattle-keeper gatherings.
Work songs whose metre is set by the pestle. They disappeared with the hand mill and survive mainly in collections and in stage revivals.
कब गाया जाता है: Grinding and husking, before dawn.
Laments for Hasan and Husain sung around the village alams by singers who are frequently not Muslim. The tunes are Telugu folk tunes and the vocabulary is Urdu.
कब गाया जाता है: Muharram, in villages.
Percussion rather than song — a Hadrami Arab ensemble absorbed into the wedding economy of the old city.
कब गाया जाता है: Weddings and processions in Hyderabad.
Seasonal and marriage songs in an Indo-Aryan language spoken in tandas across a Dravidian plateau — the clearest audible evidence of the caravan migration that brought the community south.
कब गाया जाता है: Teej, weddings, Holi.
The origin narrative of the Madiga community, performed by its hereditary bards for its own audiences. It is a caste's own account of itself, and it exists only in performance.
कब गाया जाता है: Chindu Bhagavatam performances.
Telangana के लोकगीत — किस बारे में हैं, कौन गाता है और कब। (8)