इस क्षेत्र का अनुवाद अभी इस भाषा में नहीं हुआ है, इसलिए यह अंग्रेज़ी में दिखाया जा रहा है।
Punjab Doabs · Upper Indus–Gangetic Plain
लोग
| नाम | वर्ष | क्षेत्र | किसलिए मशहूर |
|---|---|---|---|
| Guru Nanak | 1469–1539 | Founder of the Sikh tradition, poet | Born at Talwandi in the Bari Doab, worked at Sultanpur Lodhi, travelled widely and settled at Kartarpur on the Ravi, where he established a working community around collective labour, shared eating and remembrance. His compositions are in Punjabi and are the first layer of the Guru Granth Sahib. |
| Baba Farid (Fariduddin Ganjshakar) | c. 1188–1266 | Sufi and poet | A Chishti Sufi whose Punjabi verse is among the earliest surviving in the language and is included in the Guru Granth Sahib. His shrine is at Pakpattan in Pakistan; the Indian town of Faridkot carries his name. |
| Guru Arjan | 1563–1606 | Fifth Guru, compiler and builder | Compiled the Adi Granth and installed it at Amritsar in 1604, arranging its contents by musical raag and including compositions by Hindu and Muslim devotional poets alongside those of the Gurus. He founded towns, including Kartarpur in the Doaba, and was executed at Lahore. |
| Guru Gobind Singh | 1666–1708 | Tenth Guru | Inaugurated the Khalsa at Anandpur Sahib on Vaisakhi 1699, gave the community its form and its articles of faith, instituted Hola Mohalla and the dhadi ballad's martial repertoire, and vested authority after him in the scripture rather than in a person. |
| Waris Shah | c. 1722–1798 | Poet | Composed the Heer in 1766, the definitive version of Punjab's central verse romance and the work by which the language's literary register is measured. Its lines function as everyday proverbs on both sides of the border. |
| Bulleh Shah | 1680–1757 | Sufi poet | Wrote kafis in plain Punjabi that attack orthodoxy, caste and self-importance in language a farmer could follow. Sung continuously since, from shrine courtyards to film soundtracks. |
| Maharaja Ranjit Singh | 1780–1839 | Ruler | Unified the Sikh misls into a single state from 1801 and ruled a Punjab that ran from the Sutlej to the Khyber for four decades, with a court and army that recruited across religions. The gilding of the Harmandir Sahib and much of the region's surviving nineteenth-century building belongs to his period. |
| Bhai Vir Singh | 1872–1957 | Poet and scholar | From Amritsar; wrote the first modern Punjabi novels, revived Gurmukhi publishing and effectively created a modern literary prose for the language. |
| Nanak Singh | 1897–1971 | Novelist | Survived Jallianwala Bagh and later wrote a long poem about it, alongside dozens of Punjabi novels that established social realism in the language. |
| Amrita Pritam | 1919–2005 | Poet and novelist | Born at Gujranwala; wrote "Ajj aakhaan Waris Shah nu", the poem addressed to the eighteenth-century poet asking him to speak for a Punjab being torn apart in 1947, which remains the text people on both sides of the border reach for. Her novel Pinjar is set in the same rupture. Awarded the Jnanpith in 1981. |
| Shiv Kumar Batalvi | 1936–1973 | Poet | From Batala in Majha; wrote a lyric Punjabi of extraordinary density and a verse play, Loona, which inverted a traditional story to argue from the woman's side. He died at thirty-six and is sung more than he is read. |
| Gurdial Singh | 1933–2016 | Novelist | Wrote from and about the landless and marginal rural Malwa that Punjabi literature had largely ignored. His novel Marhi Da Deeva is a landmark, and he was awarded the Jnanpith in 1999. |
| Surinder Kaur | 1929–2006 | Singer | Born in Lahore; recorded Punjabi folk song — suhag, ghorian, mahiya, boliyan — for radio and disc from the 1940s, and did more than anyone else to fix the domestic women's repertoire in recorded form. |
| Lal Chand Yamla Jatt | 1914–1991 | Singer | Made the one-stringed tumbi a solo instrument and a Punjabi emblem, and carried village song into the recording industry with almost none of its production. |
| Sobha Singh | 1901–1986 | Painter | Born at Sri Hargobindpur in Gurdaspur and later based in the Kangra hills; painted the portraits of the Gurus and of Sohni and Heer that became the standard images reproduced in millions of Punjabi households. |
| Gursharan Singh | 1929–2011 | Theatre | Took Punjabi theatre out of city halls and into village courtyards for four decades, performing without sets or ticketing, and trained a generation of rural theatre groups. |
| Milkha Singh | 1929–2021 | Athlete | Orphaned and displaced by the violence of 1947, he became India's foremost sprinter of the 1950s and early 1960s and narrowly missed an Olympic medal in the 400 metres at Rome in 1960. |
Punjab Doabs के वे लोग जिन्होंने यहाँ के इतिहास, कला, विज्ञान, खेल और सार्वजनिक जीवन को गढ़ा। (17)