BharatSangraha

इस क्षेत्र का अनुवाद अभी इस भाषा में नहीं हुआ है, इसलिए यह अंग्रेज़ी में दिखाया जा रहा है।

Mahakoshal & Gondwana · Central Highlands & Forest Belt

लोग

नामवर्षक्षेत्रकिसलिए मशहूर
Rani Durgavati1524–1564RulerA Chandel princess of Mahoba who married Dalpat Shah of Garha-Katanga and, after his death, governed the Gond kingdom as regent for her son. She was killed in June 1564 fighting a Mughal force under Asaf Khan near Jabalpur. The Jabalpur museum, the university and the local June observance all carry her name.
Bakht Buland ShahRuled around 1700–1709RulerThe Gond raja of Deogarh who shifted his seat down to the plains and is credited with the founding of Nagpur. A city now read as entirely Marathi began as the administrative move of a Gond king.
Jangarh Singh Shyam1962–2001PainterA Pardhan Gond from Patangarh, found by a Bharat Bhavan survey team in 1981 painting on village walls and brought to Bhopal. Within a decade he had converted a bardic visual vocabulary into a studio practice on paper and canvas, trained the next generation and named it by his own hand. He died in Japan in 2001. The style is called Jangarh Kalam after him — the rare case of an Indian folk school named for a single living founder.
J. Swaminathan1928–1994Painter and curatorFounding director of the Roopankar museum at Bharat Bhavan, Bhopal, from 1982. He sent survey teams into the districts rather than waiting for artists to arrive, hung Adivasi painting on the same walls as urban modernism, and refused the folk-versus-fine distinction that would have kept Jangarh in a craft emporium.
Bhajju ShyamBorn 1971PainterJangarh's nephew and student; his London Jungle Book (2004) redrew a European city in the Pardhan Gond idiom, using its animal vocabulary as a way of describing an unfamiliar place. Awarded the Padma Shri in 2018.
Durgabai VyamBorn 1974Painter and illustratorWorking with Subhash Vyam, she illustrated Bhimayana (2011), a graphic biography, entirely in the Pardhan Gond visual language — proving the style could carry sequential narrative and not only single images.
Venkat Raman Singh ShyamBorn 1970PainterAnother of the Patangarh line; his illustrated memoir Finding My Way sets out how a Pardhan bardic household became a studio, in the words of someone who made the transition.
Verrier Elwin1902–1964AnthropologistSettled in the Mandla district in the 1930s and wrote The Baiga (1939) and The Agaria (1942), still the fullest descriptions of bewar cultivation and of central Indian iron smelting. Much of what is knowable about the region's practice in that period exists because he wrote it down.
Kanaka RajuDancerThe best-known exponent and teacher of the Gussadi dance of the Adilabad Raj Gonds, who trained successive village troupes and kept the Dandari cycle in performance. Awarded the Padma Shri in 2021.
Bhavani Prasad Mishra1913–1985PoetBorn in the Narmadapuram district; his Satpura ke Ghane Jangal is the poem through which most Hindi readers first picture this landscape, and it is about the forest's silence rather than its scenery.
Harishankar Parsai1924–1995WriterBorn near Hoshangabad and resident in Jabalpur for most of his life; the writer who made satire a serious prose form in Hindi and did it entirely from a small city in this region.
Subhadra Kumari Chauhan1904–1948PoetSettled in Jabalpur, where she wrote and where she died. Her ballad on the Rani of Jhansi is among the most widely memorised poems in Hindi.

Mahakoshal & Gondwana के वे लोग जिन्होंने यहाँ के इतिहास, कला, विज्ञान, खेल और सार्वजनिक जीवन को गढ़ा। (12)