इस क्षेत्र का अनुवाद अभी इस भाषा में नहीं हुआ है, इसलिए यह अंग्रेज़ी में दिखाया जा रहा है।
Magadh · Middle & Lower Gangetic Plain
नृत्य
A circling dance to a swaying rhythm, danced by linked lines of men or women with dhol and jhaal — shared with Jharkhand and eastern Uttar Pradesh, and the region's most common social dance.
कौन करता है: Mixed village groups. मौका: Monsoon, harvest and weddings
An acrobatic dance with staves, somersaults and mock combat, performed to dhol and shehnai — a hereditary performing tradition now sustained by very few families.
कौन करता है: Men of the Nat community. मौका: Fairs and festivals
A night-long women's dance with role reversal, mock weddings and songs that would not be sung in front of men.
कौन करता है: Women of the household. मौका: Weddings, after the men leave with the baraat
Work songs sung standing in the water, with a call-and-response structure keyed to the rhythm of the task itself.
कौन करता है: Women in the fields. मौका: Paddy transplanting and weeding
संगीत
The songs of the four-day sun fast, sung walking to the water and through the night. In Magadh the Chhath at the Deo sun temple in Aurangabad draws several lakh people to a single tank.
Invocatory songs sung at village goddess shrines, often accompanied by possession, with a lead singer and a drum ensemble.
Birth and wedding songs sung by women in Magahi, with a full gaari repertoire of ritual abuse at feasts.
Shrine singing at Bihar Sharif, Maner and Phulwari Sharif, at khanqahs whose Firdausi and Suhrawardi lineages go back to the thirteenth century.
Pali, Tibetan, Sinhala, Thai, Japanese, Korean and Vietnamese liturgies performed simultaneously around one tree — the most linguistically dense religious soundscape in India.
रंगमंच
Staged in every town through Ashwin, with Magahi dialogue and a local song repertoire.
Touring sung folk-opera, in the same tradition as the Uttar Pradesh companies, performed at fairs.
शिल्प
A school formed when Mughal-trained painters moved east in the eighteenth century and began painting ordinary people — bazaar sellers, artisans, festivals — for East India Company patrons. It is India's first substantially secular school of miniature painting, and it died out by around 1920.
सामग्री: Paper, ivory and mica; watercolour. तकनीक: Figures painted directly in brush without preliminary outline, on a blank ground, with no background detail — the technique known as kajli seahi.
A carving village at the foot of the Barabar hills, working the same stone in the same way that the Mauryan quarry-workers did — the connection is claimed locally and is at least plausible geologically.
सामग्री: Black nilamani stone from the local hills. तकनीक: Hand carving and polishing of images, lamps, mortars and vessels.
A single village's sweet, protected by a geographical indication and sold from a hundred shops in one bazaar.
सामग्री: Wheat flour, ghee, sugar. तकनीक: Repeated lamination of dough with ghee, deep frying and syrup steeping.
A seasonal industry that employs whole lanes of Gaya from November to February and shuts down completely in the heat.
सामग्री: Sesame and jaggery or sugar. तकनीक: Hand pounding with wooden mallets in teams, on a stone block, until the mix flakes.
The Magahi betel leaf is soft, pale and comparatively unpungent, and is regarded as the finest paan leaf in India. It holds a geographical indication and is grown by a small number of specialist cultivator families.
सामग्री: Piper betle, Magahi variety. तकनीक: Grown in a bareja — a shaded, humid enclosure of bamboo and thatch — tended daily, with leaves picked and cured to soften the flavour.
A pilgrim-market carving trade supplying images to the monasteries of a dozen countries.
सामग्री: Black stone and sandstone. तकनीक: Hand carving to iconographic prescription for monastic and pilgrim buyers.
Magadh के नृत्य, संगीत, रंगमंच और शिल्प — शास्त्रीय शैलियों से लेकर गाँव की परंपराओं तक। (17)