इस क्षेत्र का अनुवाद अभी इस भाषा में नहीं हुआ है, इसलिए यह अंग्रेज़ी में दिखाया जा रहा है।
Chola Nadu · Eastern Coastal Plains
लोग
| नाम | वर्ष | क्षेत्र | किसलिए मशहूर |
|---|---|---|---|
| Rajaraja Chola I | Reigned c. 985–1014 | King | Built the Thanjavur Brihadisvara temple and, more consequentially for historians, had its endowments, staffing and accounts cut into its walls — the reason the Chola state is documented in a detail almost no other medieval Indian polity matches. |
| Rajendra Chola I | Reigned 1014–1044 | King | Campaigned to the Ganga and founded Gangaikonda Cholapuram to mark it, sent the naval expedition of 1025 against Srivijaya, and confirmed his father's grant to the Buddhist monastery at Nagapattinam on the copper plates now known as the Leiden or Anaimangalam charter. |
| Karikala Chola | Early centuries CE, dates contested | King | Credited in tradition and in later inscriptions with the Grand Anicut and with embanking the Cauvery. The attribution is not securely datable, but the structure is, and it works. |
| Kambar | Twelfth century, dates disputed | Poet | From Therazhundur in the delta; wrote the Kamba Ramayanam, the Tamil retelling of the Ramayana that displaced every earlier one and is still the standard against which Tamil narrative verse is measured. |
| Tyagaraja | 1767–1847 | Composer | Born at Tiruvarur, lived at Thiruvaiyaru, and composed several hundred surviving kritis in Telugu that became the core of the Carnatic vocal repertoire. He is also the reason the region has an annual festival built on a death anniversary rather than a temple calendar. |
| Muthuswami Dikshitar | 1775–1835 | Composer | Born at Tiruvarur; composed in Sanskrit, in slow tempi, in a style shaped by veena playing and by an unusual interest in Western band tunes, which he set as nottuswarams. |
| Syama Sastri | 1762–1827 | Composer | Born at Tiruvarur; the eldest of the three, and the one who wrote least and hardest — his swarajatis are studied as rhythmic set pieces rather than performed as showpieces. |
| The Thanjavur Quartet | Active in the first half of the nineteenth century | Dance and music | Chinnayya, Ponnayya, Sivanandam and Vadivelu, brothers at the court of Serfoji II, who fixed the Bharatanatyam concert order and the adavu syllabus and wrote much of its repertoire. Vadivelu went to the Travancore court and is credited with establishing the violin in Carnatic music; Chinnayya went to Mysore. |
| Serfoji II | 1777–1832 | Ruler and scholar | The last effective Bhonsle ruler of Thanjavur, educated by the missionary Christian Friedrich Schwartz; collected manuscripts and European printed books on a scale that made the Saraswathi Mahal Library what it is, wrote a Kuravanji, and ran a hospital that kept case notes. |
| Bangalore Nagarathnamma | 1878–1952 | Musician, scholar and patron | Built the samadhi shrine over Tyagaraja's grave at Thiruvaiyaru at her own cost in 1925, published a censored eighteenth-century Telugu poem by a woman writer and fought the resulting obscenity case, and secured women's right to sing at the aradhana. |
| T. N. Rajarathinam Pillai | 1898–1956 | Nagaswaram | Took the temple nagaswaram onto the concert platform and the gramophone record, and popularised the longer pari instrument that is now standard. |
| Papanasam Sivan | 1890–1973 | Composer | Born at Polagam near Thiruvaiyaru; wrote several hundred Carnatic compositions in Tamil at a time when the concert repertoire was almost entirely Telugu and Sanskrit, and wrote for early Tamil cinema as well. |
| Kalki Krishnamurthy | 1899–1954 | Writer | Born in Thanjavur district; wrote Ponniyin Selvan, the serialised novel about Rajaraja's accession that is the reason most Tamil readers have any picture of the Chola court at all, and campaigned for Carnatic music's public institutions. |
| Karaikal Ammaiyar | Sixth century | Poet and saint | One of the sixty-three Nayanmars and among the earliest Tamil poets whose work survives; her verses ask for and describe a body stripped to bone, and she is depicted that way in bronze. |
| Oothukkadu Venkata Kavi | c. 1700–1765 | Composer | From Oothukkadu in the delta; composed a large body of Sanskrit and Tamil pieces built around Krishna, many of them rhythmically intricate enough that they are now standard dance repertoire. |
Chola Nadu के वे लोग जिन्होंने यहाँ के इतिहास, कला, विज्ञान, खेल और सार्वजनिक जीवन को गढ़ा। (15)